Saint-Saens / Burleson- Camille Saint-Saens: Complete Piano Works, Vol. 4 (CD)
Although he is best remembered for his orchestral and instrumental music, Saint-Saens was also responsible for spearheading the revival of the French Baroque, especially the music of Lully and Rameau, as well as being perfectly placed to absorb the latest instrumental dance music. His five 'character waltzes' include the ethereal and ravishingly textured Valse mignonne, the stylistically forward-looking Valse nonchalante and the virtuosic Valse gaie, the composer's final waltz for solo piano, while the three minor key Mazurkas are strongly characterized and filled with ingenious musical contrasts. Last but not least, the three 'souvenirs' are delightful evocations of particular corners of the world that inspired Saint-Saens.
Tracklist:
- Gavotte In C Minor, Op. 23
- Mazurka No. 1 In G Minor, Op. 21
- Mazurka No. 2 In G Minor, Op. 24
- Mazurka No. 3 In B Minor, Op. 66
- Menuet Et Valse, Op. 56
- Valse Canariote, Op. 88
- Valse Mignonne, Op. 104
- Valse Nonchalante, Op. 110
- Valse Langoureuse, Op. 120
- Valse Gaie, Op. 139
- Une Nuit À Lisbonne, Op. 63
- Souvenir D'italie, Op. 80
- Souvenir D'ismaïlia, Op. 100
Saint-Saens / Burleson- Camille Saint-Saens: Complete Piano Works, Vol. 4 (CD)
Although he is best remembered for his orchestral and instrumental music, Saint-Saens was also responsible for spearheading the revival of the French Baroque, especially the music of Lully and Rameau, as well as being perfectly placed to absorb the latest instrumental dance music. His five 'character waltzes' include the ethereal and ravishingly textured Valse mignonne, the stylistically forward-looking Valse nonchalante and the virtuosic Valse gaie, the composer's final waltz for solo piano, while the three minor key Mazurkas are strongly characterized and filled with ingenious musical contrasts. Last but not least, the three 'souvenirs' are delightful evocations of particular corners of the world that inspired Saint-Saens.
Tracklist:
- Gavotte In C Minor, Op. 23
- Mazurka No. 1 In G Minor, Op. 21
- Mazurka No. 2 In G Minor, Op. 24
- Mazurka No. 3 In B Minor, Op. 66
- Menuet Et Valse, Op. 56
- Valse Canariote, Op. 88
- Valse Mignonne, Op. 104
- Valse Nonchalante, Op. 110
- Valse Langoureuse, Op. 120
- Valse Gaie, Op. 139
- Une Nuit À Lisbonne, Op. 63
- Souvenir D'italie, Op. 80
- Souvenir D'ismaïlia, Op. 100
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Although he is best remembered for his orchestral and instrumental music, Saint-Saens was also responsible for spearheading the revival of the French Baroque, especially the music of Lully and Rameau, as well as being perfectly placed to absorb the latest instrumental dance music. His five 'character waltzes' include the ethereal and ravishingly textured Valse mignonne, the stylistically forward-looking Valse nonchalante and the virtuosic Valse gaie, the composer's final waltz for solo piano, while the three minor key Mazurkas are strongly characterized and filled with ingenious musical contrasts. Last but not least, the three 'souvenirs' are delightful evocations of particular corners of the world that inspired Saint-Saens.
Tracklist:
- Gavotte In C Minor, Op. 23
- Mazurka No. 1 In G Minor, Op. 21
- Mazurka No. 2 In G Minor, Op. 24
- Mazurka No. 3 In B Minor, Op. 66
- Menuet Et Valse, Op. 56
- Valse Canariote, Op. 88
- Valse Mignonne, Op. 104
- Valse Nonchalante, Op. 110
- Valse Langoureuse, Op. 120
- Valse Gaie, Op. 139
- Une Nuit À Lisbonne, Op. 63
- Souvenir D'italie, Op. 80
- Souvenir D'ismaïlia, Op. 100
